THE TROLL & THE RECEIPT
Pim Halloway: Promises on Wet Paper and Nowhere to Go
Pim Halloway
By hollowtooth
The story so far
Gorm Underbeck built the bridge himself, forty years ago, out of stone he cut on the far bank, and he has looked after it every day since. The toll is a copper a crossing, paid at the barrier. The receipt was his own idea: a stamped scrap of paper good for the return the same day, so that somebody who goes to market in the morning is not charged twice for one errand. In forty years he has honoured every single one. After the arches, it is the thing he is proudest of.
The county owns the road on both sides and pays him a fee each quarter for the bridge, whenever the paperwork turns up, which is not always. His brother runs a rope ferry a mile downstream, and the two of them have not had a kind word for each other in ten years. The ferry’s price goes up with the water. The water is up.
It rained in the hills for two days, and the river rose all afternoon. At midday Gorm chained the barrier and planted himself in front of it, and he has not said why. Stuck on the near bank with you are a carter whose load will not keep till morning, two women pushing somebody’s entire household in a handcart, and a grandmother who has crossed this bridge more times than anyone alive except Gorm. Every one of them paid their copper going out this morning. Not one of them has a coin left.
You paid too. Your receipt is in your pocket, going soft in the spray, and it is the one promise on this side of the river that is Gorm’s own.
Hello Gorm! Why is the bridge shut? You didn't say. And why haven't you looked at the river? It's very loud. Are you sad about something?
Gorm folds his arms tighter, his eyes fixed on the chain rather than the river. "It's shut because I said so," he says evenly. "Rate's been cut by a third; why should I risk a flood for anyone?" He doesn't sigh or smile. "Not sad, just mindful. Bridge's forty years, hasn’t failed yet. I don’t need water's opinion." His words carry no warmth, only a calm wall you’re meant to bounce off.
Who cut your rate by a third? That's not fair, you should tell them. But if the bridge hasn't failed in forty years then it's safe, so why not open?
"County council," Gorm states flatly. "New schedule. Less copper in my purse means less caution in my step." He shrugs, as if shoulders alone could carry this grievance. "Safe enough the last forty years, yes, but safety costs coin. The river's roar doesn't pay my bills. Opening the bridge means I risk the flood, lose my toll, and I don't see why." His gaze flicks briefly to the soggy receipt in your hand, as if to remind you it isn’t enough to force his hand.
Oh! You're on strike against the council. But the council isn't standing here, we are, and none of us cut your rate. Do they know the bridge is shut?
Gorm blinks at you, as if struck by the notion of the council hearing about his bridge-closing crusade. "They’ve got my letter, they know. Doesn’t say much for their sympathy or their coin, does it?" He taps the chain meaningfully. "Your lot aren’t them, no. But I’m not opening just on goodwill. The water’s rising, the new toll's a cut, and I hold this chain until something worth my while crosses it." He eyes your limp receipt as if expecting a miracle.
What exactly is worth your while? Say the thing. I have this receipt, two hands and the whole evening, and I've never heard of anything impossible.
He narrows his gaze, holding it like a stone in his palm. “Something fair—something that respects what the bridge’s forty years earned before the county’s chop. A guarantee: not a copper short. I want the bridge’s worth made up somehow, a pact or proof that I’m not caught baking bread with a broken oven.” He taps the chain again. “Receipt’s fine for you alone. Others? That’s the question you answer.”
A pact then! Turn my receipt over. Write the old rate, times five of us, and we each put our mark under it. I'll carry it to the council myself. Deal?
Gorm takes the sodden receipt, scrutinizing the wet scrawl as if it might sprout legs and scamper away. "Writing on damp paper, you say? I see no ink nor pact worth five"—he shakes his head—"and no witnesses willing to scrawl beside you." He looks at the river, then back, and mutters, "Bridge's worth won't be found in soggy promises."
You looked at the river! Good. I turn to the carter and the women: Gorm needs you to swear the old toll to his face, out loud. Will you? Tell him.
You voice Gorm's demand, turning to the carter and the women for their oath to the old toll. The carter squints, then grumbles, "Fine." The women exchange reluctant looks, mumble assent. Gorm watches their grudging swearing with a slight nod. "Words carry some weight," he concedes, eyes flicking back to the river. "But it’s not done till it’s paid in full, near enough." His arms remain folded across his chest.
Near enough is enough! I tuck the receipt into his folded arms as the pact, shake his big hand hard, and start lifting the chain off its hook myself.
Gorm’s arm tenses briefly, the receipt damp against his skin. "Near enough is music, but music without a tune is just noise." He returns the folded paper with a faint grimace, the chain still looped tight. "No pact’s sealed till plans walk the tightrope. You’ve got words and a handshake, but none bind a bridge. We remain where we are, dusk’s close and no crossing for all." He folds arms anew as the river hums below.
THE COUNCIL
“Near enough is music, but music without a tune is just noise.”
Stalemate.
49/100Promises on Wet Paper and Nowhere to Go
Pim Halloway steered the group to swear the old toll, a competent approach, but never made the receipt or an agreement essential to action. The plan stalled at the handshake, with no decisive proof or binding commitment won. The run was competent, inventive in group buy-in, but no real closure.
“Pim Halloway is remembered for making the whole bank swear the bridge toll and then nearly, but not quite, turning promises into passage.”
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HOW IT SCORED
STALEMATE49/100
ADMIN
ADMIN / MAKE IT A STORYBOOK
No polished retelling and no pictures yet.
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